I clean dialogue, craft believable foley, and build mixes and assets that translate—from podcasts to picture to games.
Podcast voice editing, foley to frame, sound for motion picture, and game audio assets named for middleware. Noise reduction without artifacts, tone match across takes, mixes to loudness spec, and clean deliverables.
I’m a freelance audio production engineer focused on podcast voice editing, foley for picture, sound for motion picture, and video game audio. My priorities: intelligibility, feel, and delivery to spec.
Breaths & fillers, spectral repair, de-ess, tone match, and loudness to platform spec (e.g., −16 LUFS).
Footsteps, cloth, and props recorded/cut to frame. Layered with DX/MX for believable motion.
SFX editorial and ambience beds that support story. Clean stems and clear notes for post.
Loop-safe atmospheres, one-shots, and UI with naming for Wwise/FMOD and consistent loudness.
Short before/after clips and excerpts. Full reels available on request.
Coursework rebuild from silence. I recorded ADR/VO, created foley and ambiences, layered SFX and music, and mixed to a streaming-safe target. Focus: lip-sync accuracy, perspective, and a cohesive final mix. (Academic study.)
Re-created a collision sequence with foley-stage and field recordings—metal, glass, chassis stress, debris, and tire skids. Layers were spatialized and synced to action beats, then balanced for impact while staying loudness-compliant. (Academic study.)
Foley-focused study on footfalls and body movement. Stage-performed surfaces and weights were matched to picture and perspective, then edited, synced, and mixed for a seamless, streaming-ready result. (Academic study.)
Share a link to your files and delivery specs. I’ll reply with availability and a quote.